The “No Drying Pots In The House” rule has been broken once again…
These make me laugh. Don’t they look like they are at the hair salon getting a color?
I ordered a bag of these elastacized platic bowl covers to see if they would work in the studio. We have been trying to keep rims from drying out too quickly. Jeff cut a whole out of the center to allow the bottom to dry. We really wanted them for larger platters and bowls but they don’t stretch to size they were advertised to. They were less than four dollars. If we don’t find them functional in the studio we will use the rest of them in the kitchen.
We have a lot of pots to get fired in the next three weeks. After that I am sure it will be the mad dash for last minute piggy bank orders.
Jeff and I are getting our collaborative work done for the Piedmont Craftsmen’s show next month. We will be exhhibiting our work in a group booth, the weekend before Thanksgiving… the same weekend as the Celebration of Seagrove Potters.
Last week Jeff threw a few large platters and shallow bowls. It was so humid that it took forever for them to get to the point of being trimmed, slipped, and carved.
Yesterday I was finally able to get my hands on them.
Jeff had brushed on the slip days before.
I lightly sketch my design with a pencil. It was a little softer than I like to draw on, but we really needed to get these platters done.
Next I carve the ginkgo leaf outline.
Then I carve away the background. This is obviously the part that takes the longest. I usually like to turn on the radio and listen to whatever is on WUNC public radio while carving. Sometimes I am amazed at how much time has passed when I am finished. I often switch between standing and sitting while I carve. It’s a little easier on my “getting old body” to move around a lot.
Done!
One more to go today and then it’s back to the wheel.
We unloaded the gas kiln on Saturday and I was really happy with a couple of green and shino bowls. I haven’t done as much in this glaze combination this year, since I have become infatuated with ash glaze. This combination is time consuming because I have to wax the rims and then carefully pour out the green, without getting any drips onto the sides of bowl. Occasionally I have gotten some drips and have had some success with scraping off the green over the shino. This go around I had one drip that was problematic. I scraped it a little thin. Jeff hit on the idea of spraying a light coating of the ash glaze over the shino and it successfully covered the thin spot.
I had a lot of piggy banks in this firing. Many were orders but there were also some extras to have in stock in my Etsy shop. It would be good to be able to be ahead, the holiday rush will be upon us in no time.
These mugs came out of the kiln a couple of weeks ago. I wasn’t sure how I felt about them and left them out on the shelves under the kiln shed for more than a week.
I finally decided to bring them in and photograph them. After spending some time with them, I decided they were OK.
I think I would be more in love with them if I had a more transparent glaze. My next plan is to apply velvet under glaze onto the white stoneware and carve through it, instead of the slip. The velvet under glaze has a nice finish without any glaze over it. I will first do some tumblers or small cups. If wanted to do mugs I would have to wax over all of the under glaze in order glaze the handle too. I am open to suggestions!
Our good friend Andy Hampton has built a raku kiln using an old electric kiln. I am sure most of us potters have seen that done many times before. The raku kilns that we fire in are also made from recycled electric kilns. The difference is, Andy has taken it to an all new level. His process is broken into two short videos.
Don’t you just love that swinging door! Andy Hampton primarily reduction fires in both gas and wood. You can see more of his work here.
Next month Andy will host the NH Potters Guild Meeting and members will have the opportunity to fire a pot in his new raku kiln. If you are a New Hampshire potter or are located close to New Hampshire, you may want to check out an NHPG membership. The guild’s website appears to be down but you can find them on facebook by searching NH Potters Guild.
I love butter dishes. Maybe because I love butter?
I just wish I could be successful at making them. A few years ago a made quite a few and I only had one the I could sell. The others warped or cracked.
The rejects all got the hammer, except for this one that I kept for myself. You can see in the photo below that there is a crack along the join. It’s been in constant use for years. I hardly notice the crack anymore.
This summer I started another round of butter dishes, but wasn’t happy with any of them. They all ended up in the reclaim bucket.
Each year, when we are at the League of NH Craftsmen’s show, I spend some time in Tom White’s booth drooling over his butter dishes. He makes some simple dishes, but he also makes some that look like buildings and barns. Many years back he had butter dishes that were churches with steeples. To this day I regret not buying one. This year Tom mentioned that someone should put on a butter dish exhibition. I agreed that it would be a great show. I better get busy perfecting a butter dish… because I want to be ready for that!
Last week I threw some bowls and spent a couple of afternoons carving leaves. I knew I had a short window of opportunity to get these done before it was back to assembling piggy banks.
Jeff pugged some clay on Monday and when he was done we attached the die to extrude the piggy bank parts. While we were at it we extruded a couple of different size tubes because I have been itching to make some snakes again. Last night Jeff and talked about snake decorating methods and we came up with some new ideas for a collaboration. I will post some photos once we execute the plan.
I am still experimenting with a cold ferment pizza dough. When I made this batch at the end of last week, it was a little more humid and the dough could have used a bit more flour. The downside was that I make this recipe in the food processor and the bowl just barely accommodates the dough. My food processor is also a very inexpensive one and I could tell it was beginning to strain. I had to scrape out the sticky dough and add the rest of the flour on the board, as I kneaded it. The food processor was a sticky mess to wash. I really would like to invest in a good processor but until then I will mix this dough by hand.
Last night’s pie was Jeff’s request. Grilled chicken, artichokes, onions, black olives, and lots of tomatoes and herbs from our garden. It was quite tasty, but I have to admit… I LOVE pepperoni!
I had an order for a salt pig that was to be un-glazed on the interior and sprayed ash glaze over shino on the outside. I was in a quandary as to how to not get the ash on the inside, without have to meticulously sponge it off.
Of course Jeff came up with a solution!
A piece of sponge cut to fit, and wired with a handle to be able to pull it out after spraying the glaze. It sort of looks like we were torturing the poor piggy. Jeff’s idea worked like a charm.
Creativity comes in many forms when you are a potter.
The rain stopped and the skies cleared, just in time to take the door to the gas kiln down.
Overall we are happy with the results. Jeff is starting to produce tiles again. A wood fired version of these are in the 500 Tiles book. This one was made with our 505 Main clay, glaze is Jeff’s ash glaze, applied with a sprayer.
One of my carved bowls. White slip over STARworks, East Fork clay. The exterior was dipped in tenmokku, interior is the sprayed, ash glaze.
As always, there were piggy banks and vessel sinks in this firing. Most were orders, but I also have a few “ready to ship” pigs that you can find in my Etsy shop.
If my mother were still with us, her and Dad would be celebrating their 63rd wedding anniversary today. My paternal grandmother gave them a boudoir chair as a wedding gift. I have always loved that chair. Over the years my parents reupholstered it themselves and repaired the spring system in the seat cushion. Last winter the springs gave out again my Dad decided he wanted a new chair. He was going to throw away the old one. I couldn’t bear to see it thrown out and asked if I could have it. We made sure there was room in the trailer to bring it back to North Carolina after the show in August.
So now I have a 63 year old chair that I am going to attempt to reupholster! I clearly remember the three different fabrics that have adorned this chair. I also remember a photo my mother took of me sitting in it when I was a toddler. Now I have to decide if I want to update it with a modern print or find a fabric that is fitting to 1954. I think I better watch some youtube video about upholstery projects before I tackle the job!
