Tag Archives: pottery
Getting Wild
Jeff has really been enjoying digging and processing the “wild” clay in our yard. When the area for our kiln shed was excavated, it exposed a lot of this luscious, orange, goodness. After blunging, screening, and drying on plaster, it was ready to be wedged and thrown.
Catching Up
I am starting to feel like I am catching up on work. Since the last firing was a good one, lots of orders were shipped out. I am also feeling more confident moving forward with new work, knowing that our firings should be more consistent since Jeff has worked the kinks out of the new kiln.
And then there were pigs to assemble. Not sure if a making cycle would be complete without the pigs.
Meet Kate
Third Times a Charm!
Second Look
This little pig came out of the kiln, and my first thought was, “Damn, the shino isn’t coppery-orange”.
He was an Etsy order, and I thought I would just fire another, since I had some time and have piggy banks already made. He was set aside, and left on his own for the remainder of the week.
Last night I decided to take photographs of him. After spending time with him, I realized that although it was different from the listing photos, he was really a handsome pig.
The aqua is really bright, and I like the contrast of it against the black/gray overlap of the two glazes. I sent photos to the buyer and she loves him too. Today he is off to his new home.
Many times when I am disappointed with pots that don’t turn out as I expected, I have found that photographing them, lets me see them in a new light. I think that translates to lots of situations in life.
Glazing Ginkgo Leaf Pots
When I am glazing pots with the ginkgo leaf design, I often wonder why someone who doesn’t really care for glazing, chooses a time consuming method of applying it?
As anyone who works with shino glazes knows, shino is applied first. It typically doesn’t like to be on top of another glaze. If it is, cruddy things usually occur. After the pots get a dip or a roll in the shino, I wipe it back, or away, from areas that I don’t want it to be. Once the glaze dries, I cold wax rims or handles, that I either want to keep shino, or avoid drips when pouring in the gloss green glaze. Can you tell I am confident that firing #3 will be reduced beautifully? Why else would I commit to so many shino pots?!
Speaking of ginkgo leaves, last week a potter in town, gifted me something very special…
Firing #2
The wide mouth piggy bank was a special order. If you didn’t know how the dots usually turn out you would think it was wonderful. In reality they are usually more subtle, like the dot on the ear.
Our shino glaze looked a little under reduced as well as my Temple white glaze. Jeff wants to start firing #3 later, so that we can be in reduction at night. That will allow him to better see what’s happening in the kiln. Our kiln is located in a sunny spot, and there was a lot glare on firing day.
It takes time to work out a new kiln, along with patience, and getting over disappointment quickly.
Onward!
Family
There was a couple of evenings of pottery lessons…
On the last day, Jeff made a small bottle that Arianna turned into her own little pig. She did a great job and is very excited about getting it back, glazed in purple, when we return to New Hampshire in the summer.